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Popular Events

 

#1

Deciphering the colours - Matteo Falcone (1928) - Keller-Dorian

#2

New Restorations from The Museum of Modern Art

#3

IB Tech 1977 tbc (35mm, one reel)

#4

ERC Restoration Case Study: Multispectral Scanning

#5

Cinecolor Cartoons

#6

Opening the 5th International Colour in Film Conference

#7

Keynote: The Lindgren Manifesto, Part 1: Chromatic Extinction Rebellion

#8

Public evening screening - MAGNIFICENT OBSESSION (Douglas Sirk, 1954) - Dye Transfer print

#9

Registration (BFI Foyer)

#10

Coffee break

#11

Individual consultancy for prospective students of audiovisual preservation at HTW Berlin

#12

“We will be in the market for some color that is satisfactory”. Negotiating Color Film Technology at Fox

#13

VeCoScan. Unveiling a New Generation of Archival Film Scanners

#14

Keynote Colour Group (Great Britan): Scene-referred Colour and Axiom Zero

#15

Introduction: FilmColors, an Interdisciplinary Approach

#16

From Méliès to Technicolor: Artistic Practices and Scientific Strategies for Designing Color Film

#17

Color Mania – Curating the Materiality of Color in Photography and Film in the Museum Context Or: How to bring Historical Film and Photography Color Processes into an Art and Science Exhibition

#18

Appearance & Analytics: Sirius vs. Ufacolor

#19

Mordants, Microscopy, Spectroscopy: Studying and Identifying Early Color Systems

#20

Coffee Break

#21

Lunch Break and Book Signing Color Mania

#22

Coffee Break

#23

How to Save the Environment with ‘Less’. Discourses on Colour Film Preservation and Recycling in the Socialist Planned Economy.

#24

Keynote BFI: There’s no Place Like Home: Bleach Bypass in British cinema

#25

Color and Genre. Negotiating Color Film Technology, Aesthetic Conventions and Artistic Creation in the 1940s

#26

Chromatic Lighting in Science Fiction Films

#27

Closing Remarks, Outlook - Colour in Film

#28

Coffee Break

#29

Lunch Break