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Popular Events

 

#1

“We will be in the market for some color that is satisfactory”. Negotiating Color Film Technology at Fox

#2

VeCoScan. Unveiling a New Generation of Archival Film Scanners

#3

Keynote Colour Group (Great Britan): Scene-referred Colour and Axiom Zero

#4

How to Save the Environment with ‘Less’. Discourses on Colour Film Preservation and Recycling in the Socialist Planned Economy.

#5

Keynote BFI: There’s no Place Like Home: Bleach Bypass in British cinema

#6

Deciphering the colours - Matteo Falcone (1928) - Keller-Dorian

#7

New Restorations from The Museum of Modern Art

#8

IB Tech 1977 tbc (35mm, one reel)

#9

ERC Restoration Case Study: Multispectral Scanning

#10

Cinecolor Cartoons

#11

Introduction: FilmColors, an Interdisciplinary Approach

#12

From Méliès to Technicolor: Artistic Practices and Scientific Strategies for Designing Color Film

#13

Color Mania – Curating the Materiality of Color in Photography and Film in the Museum Context Or: How to bring Historical Film and Photography Color Processes into an Art and Science Exhibition

#14

Appearance & Analytics: Sirius vs. Ufacolor

#15

Mordants, Microscopy, Spectroscopy: Studying and Identifying Early Color Systems

#16

Color and Genre. Negotiating Color Film Technology, Aesthetic Conventions and Artistic Creation in the 1940s

#17

Opening the 5th International Colour in Film Conference

#18

Keynote: The Lindgren Manifesto, Part 1: Chromatic Extinction Rebellion

#19

Public evening screening - MAGNIFICENT OBSESSION (Douglas Sirk, 1954) - Dye Transfer print

#20

Chromatic Lighting in Science Fiction Films

#21

Registration (BFI Foyer)

#22

Coffee break

#23

Closing Remarks, Outlook - Colour in Film

#24

Coffee Break

#25

Lunch Break and Book Signing Color Mania

#26

Coffee Break

#27

Coffee Break

#28

Lunch Break

#29

Individual consultancy for prospective students of audiovisual preservation at HTW Berlin